Marilyn Monroe unfortunately lived a very difficult life. One that has been explored in film time and time again. Blonde does things a little differently, however. Based on a book that looks at points in Marilyn’s life through a fictitious lens, Blonde is a trippy, disturbing, and perplexing film that had me leaving the theatre speechless. It’s hard to pinpoint the last time a film has left me so confused not just about what I had just watched, but how I felt about it.
This review is part of my coverage of TIFF ’22, which held Pearl’s North American premiere.
Director Ti West has performed an interesting feat. Right after filming X, he had filmed Pearl, a prequel to it right afterwards, in secret. This makes for a well thought out, exciting prequel with a strong connective tissue between it and X. Dark, disturbing, and a ton of fun, Pearl is a surreal film that is as good as X, and yet manages to be something completely different, serving as an excellent origin story of the villain in X.
This review is part of my coverage of TIFF ’22, which held Glass Onion’s world premiere.
Writer/Director Rian Johnson perfected the whodunnit mystery genre in Knives Out, one of my favourite films of 2019. While it could have very easily been a rehash of the first film, Glass Onion once again breathes new life into this genre with a completely new cast, a new mystery to solve, and a familiar central character whose exciting return appears to be building him up as the modern-day Sherlock Holmes.
This review is part of my coverage of TIFF ’22. I attended this film’s world premiere on September 8th.
The Inspection is a film that is actually based on the filmmaker’s life. It’s not autobiographical per-se, there is an element of fiction here, but the end result is still a powerful, meaningful, and intense film that will hold a very special place in many peoples’ hearts, especially those who are queer and whose families may not be accepting of them.
This review is the first in my coverage of TIFF ’22, with a bunch of films that I have planned to review. This film kicked off the festival’s Midnight Madness program with its world premiere. I feel lucky and honoured to be among the first in the world to review this film.
In an industry where the biopic genre is all the rage, Weird: The Al Yankovic Story is unique in its own right. Inspired by a “trailer” for a Weird Al biopic that went viral back in 2010, it has been completely fleshed out into a feature length masterclass of silliness, taking every possible biopic trope and ripping them apart. Needless to say, the film is as insane as the titular musician who co-wrote it. And I mean that as the best possible compliment I can give. This film is for people who hate the biopic genre and/or love Weird Al. I’ve been a Weird Al fan since I was a kid, so I adored this movie.